Have you considered going global? Exporting you industrial design services may be the way to break free of the constraints of the Australian market. It takes commitment and planning but can be tailored to the resources of a small consultancy.
The advent of China as the world’s manufacturing resource, coupled with the vastly changed communication environment of email and web, is bringing about a new equilibrium for Industrial Design.
The apparent assumption from the education industry that there are no consequences in degrading the competence of designers must be vigorously debated.
Happy birthday, Australian design! This year the Design Institute of Australia turns sixty. Starting in Melbourne in 1947 as the Society of Designers for Industry, the DIA has spanned a period of significant social and technological change.
Designers have more reasons than most to consider climate change and their response to it. Designers rely on the complexity of cities for their existence.
Ignorance of the past would seem to be a grand societal delusion in which we all collude, an agreed refusal to acknowledge the precedents established by past generations and the lessons of history.
Geoff Fitzpatrick epitomizes those design champions who have established design as an essential professional and commercial activity in Australian industry.
Designers’ top five concerns about design education are commercial relevance, production skills, work experience, business training and quality. In short the adequate preparation of design graduates to participate immediately in professional employment.
At what stage will (did) design become a hobby industry? A source of employment for the few, a source of disillusionment lived out on the fringes for the many?
The industrial design profession has a vested interest in supporting the manufacturing sector and helping it find a path through adverse global trends.
Despite huge growth in tertiary and pre-tertiary design education and a clear recognition in the education sector and the professional design sector of the distinct nature of professional design as a commercial activity, it is still treated as a fine art or cultural pursuit in some of Australia’s statistical collections or virtually ignored in others.
Fees are a subject that designers never tire of. In the parallel survey the DIA did of design industry concerns it ranked equal sixth with Education as an issue for designers.
Design promotion, both planned and accidental, is creating an excess supply of participants in the industry with inadequate training, employment opportunities, post-tertiary mentoring, status and earning potential.